Seedy For The Sake Of Seedy
Kid Sister belongs to the same dramatic category as Killer Joe by Tracy Letts—that category being White Trash Parade of Horrors. But where Letts’s play has a cruel wit and some imaginative depravity, Will Kern’s lurid new thriller, now onstage at Profiles Theatre, manages to be both unpleasant and unremarkable. Best of Chicago voting is live now. Vote for your favorites » Best known as the author of the cult hit Hellcab, which ran for nine years in Chicago starting in 1992, Kern here supplies not a scrap of memorable dialogue, offers only half-assed attempts at black comedy and social comment, and comes across as a little too desperate to shock, trotting out tried, true, and cheap gambits—coarse language, graphic violence, the suggestion of incest—all without making a discernible point....