Tommy Lee Jones Trapped In A Covered Wagon With Three Madwomen
The Homesman is such a deeply pessimistic work that I’ll be surprised if it becomes a popular success. American spectators rarely go for movies about failure (which might explain why the Coen brothers’ Inside Llewyn Davis, despite being one of the best-reviewed movies of last year, never caught on with the mainstream), and The Homesman confronts that subject in virtually every scene. The film opens with a despairing portrait of American frontier life in the 1850s, introducing us to a small farming settlement that’s been ravaged by disease and crop failure....