This Week In Claire Denis Talking To Local Critic Marilyn Ferdinand About Chocolat And White Material
Nonetheless, it is striking to consider that a number of current, otherwise disparate narrative films directed by women operate according to their own stubbornly private rules, logic, timing, and spatial organization . . . Where a [Terrence] Malick, for instance, builds a master narrative and theme and then fills it with poetic and intuitive connections and flights, such abstractions form both the actual connective tissue as well as the substance of [The Intruder], Denis’s brooding meditation on spiritual displacement....