Return Of The L A Rebellion
Black cinema has always been relegated to the cultural margins, but how does an artist survive at the margin of the margins? A year and a half ago, UCLA Film & Television Archive presented a sweeping retrospective on artists of color who’ve come through the school’s filmmaking program since the 1970s. You may know about Charles Burnett, whose Killer of Sheep (1977) was named to the National Film Registry in 1990, or Julie Dash, whose Daughters of the Dust (1991) won the same honor in 2004....