Bah Mitzvah
The Goodman’s been doing a great job of putting diverse ethnic voices onstage. Last season ended with Boleros for the Disenchanted, José Rivera’s sweet, sad look at the consequences of leaving Puerto Rico for the American mainland. Just before that came Ghostwritten, Naomi Iizuka’s fairy-tale treatment of the tangled human—and culinary—relations between the United States and Vietnam. And last November there was Ruined, a devastating piece of work by African-American writer Lynn Nottage about walking casualties of the permanent war in the Democratic Republic of Congo....