A Form Which Resists Facts
Discussing his horror-vacui installation Das Auge (The Eye), Swiss artist Thomas Hirschhorn told Gregory Burke of the Power Plant gallery in Toronto, “I want to give a form which resists facts, which resists opinion and which goes beyond actuality. . . . The eye doesn’t need to know—the eye just sees and that’s what counts.” Similarly, Zachary Cahill’s USSA 2012: The Orphanage Project is designed to present a profusion of information and artifacts adding up to neither a consistent formalism nor a coherent concept....