Overwhelmed By Williams
As much as I hated it when I saw it last spring, I’ve got to admit that the Goodman Theatre production of Tennessee Williams’s Camino Real got one thing profoundly right. Director Calixto Bieito added a character—Williams himself—and had him wander through the show, bearing witness and serving as a kind of human sacrifice to the god of addiction. True to his overall aesthetic, Bieito did his best to degrade this figure, who wore a cheap raincoat, drank from a paper bag, jabbered, and spat out a bottle cap during his death throes—a crude reference to Williams’s actual death by asphyxiation....