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PAT GRAHAM  Best Picture: There Will Be Blood. Best Director: Paul Thomas Anderson, There Will Be Blood. Best Original Screenplay: Tamara Jenkins, The Savages. Best Adapted Screenplay: Paul Thomas Anderson, There Will Be Blood. Best Actress: Laura Linney, The Savages (“choice with a figurative gun to my head, though Nicole Kidman in Margot at the Wedding‘s more to my liking”). Best Actor: Viggo Mortensen, Eastern Promises. Best Supporting Actress: Cate Blanchett, I’m Not There (“easiest of all the procrustean decisions here, with fewest reservations—though oddly enough I did have a couple on first viewing”). Best Animated Feature: Persepolis (“unfortunately”). Best Cinemathography: Robert Elswit, There Will Be Blood (“though how much actually has to do with Elswit, since most of the important logistical choices—re where to position the camera and how scenes ought to reveal themselves through evolutionary long takes rather than editing-room montage—belong to the director rather than the cinematographer [or at least ought to], and seem open to debate”). Best Editing: Christopher Rouse, The Bourne Ultimatum (really brilliant, in a frenetic, hyperactive way that, unfortunately, makes for a movie badly in need of an anchor”). Best Costume Design: Albert Wolsky, Across the Universe (“just to get the movie in there somewhere…what do I know about costumes?”).

ANDREA GRONVALL  Best Picture: No Country for Old Men. Best Director: Julian Schnabel, The Diving Bell and the Butterfly. Best Original Screenplay: Tony Gilroy, Michael Clayton. Best Adapted Screenplay: Ronald Harwood, The Diving Bell and the Butterfly. Best Actress: Marion Cotillard, La Vie en Rose. Best Actor: Daniel Day Lewis, There Will Be Blood. Best Supporting Actress: Amy Ryan, Gone Baby Gone. Best Supporting Actor: Javier Bardem, No Country for Old Men. Best Foreign Language Film: Beaufort. Best Documentary Feature: Sicko. Best Animated Feature: Persepolis. Best Cinematography: Janusz Kaminski, The Diving Bell and the Butterfly. Best Editing: Christopher Rouse, The Bourne Ultimatum. Best Art Direction: Dante Ferretti/Francesco Lo Sciavo, Sweeney Todd: The Demon Barber of Fleet Street. Best Costume Design: Colleen Atwood, Sweeney Todd: The Demon Barber of Fleet Street. Best Original Score: Dario Marianelli, Atonement.